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Auto-Tune

Audio processor to measure and alter pitch in vocals and music.

For correcting pitch in general, see Pitch correction. For automated optimization software, see Self-tuning.

Auto-Tune (or autotune) is an audio processor introduced in by and registered trademark of Antares Audio Technologies.[4] Auto-Tune uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances.[5]

Auto-Tune was originally intended to disguise or correctoff-key inaccuracies, allowing vocal tracks to be perfectly tuned despite originally being slightly off-pitch. The Cher song "Believe" popularized the technique of using Auto-Tune to distort vocals, which became known as the "Cher effect". In , music critic Simon Reynolds observed that Auto-Tune had "revolutionized popular music", calling its use for effects "the fad that just wouldn't fade. Its use is now more entrenched than ever."[6]

In its role distorting vocals, Auto-Tune operates on different principles from the vocoder or talk box and produces different results.[7]

Description[edit]

Antares Vocal Processor AVP-1 (middle)

Auto-Tune is available as a plug-in for digital audio workstations used in a studio setting and as a stand-alone, rack-mounted unit for live performance processing.[8] The processor slightly shifts pitches to the nearest true, correct semitone (to the exact pitch of the nearest note in traditional equal temperament). Auto-Tune can also be used as an effect to distort the human voice when pitch is raised or lowered significantly,[9] such that the voice is heard to leap from note to note stepwise, like a synthesizer.[10]

Auto-Tune has become standard equipment in professional recording studios.[11] Instruments such as the Peavey AT guitar seamlessly use Auto-Tune technology for real time pitch correction.[12]

History[edit]

Auto-Tune was launched in September [13] by Andy Hildebrand, a Ph.D. research engineer who specialized in stochastic estimation theory and digital signal processing. Over several months in early , he implemented the algorithm on a custom Macintosh computer, and presented the result at the NAMM Show later that year, where "it was instantly a massive hit."[14]

His method for detecting pitch involved the use of autocorrelation and proved to be superior to earlier attempts based on feature extraction that had problems processing certain aspects of the human voice such as diphthongs, leading to sound artifacts.[14] Music industry engineers had previously considered the use of autocorrelation impractical because of the massive computational effort required, but Hildebrand found a "simplification [that] changed a million multiply adds into just four. It was a trick – a mathematical trick".[14]

According to the Auto-Tune patent, the referred implementation detail simply consists, when processing new samples, of reusing the former autocorrelation bin, and adding the product of the new sample with the older sample corresponding to a lag value, while subtracting the autocorrelation product of the sample that correspondingly got out of window.[5]

Hildebrand had come up with the idea for a vocal pitch correction technology on the suggestion of a colleague's wife, who had joked that she could benefit from a device to help her sing in tune.[14][15] Originally, Auto-Tune was designed to discreetly correct imprecise intonations, in order to make music more expressive, with the original patent asserting that "When voices or instruments are out of tune, the emotional qualities of the performance are lost."[6]

According to Chris Lee of the Los Angeles Times, Cher's song "Believe" is "widely credited with injecting Auto-Tune's mechanical modulations into pop consciousness".[16] Cher's producers used the device to "exaggerate the artificiality of abrupt pitch correction", contrary to its original purpose.

While working with Cher on the song "Believe" in , producers Mark Taylor and Brian Rawling discovered that if they set Auto-Tune on its most aggressive setting, so that it corrected the pitch at the exact moment it received the signal, the result was an unsettlingly robotic tone.

—&#;Greg Milner ()[17]

In an early interview, the producers of "Believe" claimed they had used a DigiTech Talker FX pedal, in what Sound on Sound's editors felt was an attempt to preserve a trade secret.[18] After the success of "Believe" the technique was initially referred to as the "Cher effect".[19][20]

Radiohead used Auto-Tune on their album Amnesiac to create a "nasal, depersonalised sound" and to process speech into melody. According to singer Thom Yorke, the software "desperately tries to search for the music in your speech, and produces notes at random. If you've assigned it a key, you've got music."[21]

The use of Auto-Tune as a vocal effect was bolstered in the late s by hip hop/R&B recording artist T-Pain who elaborated on the effect and made active use of Auto-Tune in his songs.[22] He cites new jack swing producer Teddy Riley and funk artist Roger Troutman's use of the Talk Box as inspirations for his own use of Auto-Tune.[16] T-Pain became so associated with Auto-Tune that he had an iPhoneapp named after him that simulated the effect, called "I Am T-Pain".[23] Eventually dubbed the "T-Pain effect",[15] the use of Auto-Tune became a popular fixture of late s music, where it was notably used in other hip hop/R&B artists' works, including Snoop Dogg's single "Sexual Eruption",[24]Lil Wayne's "Lollipop",[25] and Kanye West's album s & Heartbreak.[26] In , riding on the wave of Auto-Tune's popularity, the Black Eyed Peas' number-one hit, "Boom Boom Pow", made heavy use of Auto-Tune on all the group's vocals to create a futuristic sound.[15]

The use of Auto-Tune in hip hop gained a resurgence in the mids, especially in trap music.[15] Hip hop artists like Future, Playboi Carti, Travis Scott, and Lil Uzi Vert used Auto-Tune to create a signature sound.[27]

The effect has also become popular in raï music and other genres from Northern Africa.[28] According to the Boston Herald, country stars Faith Hill, Shania Twain, and Tim McGraw use Auto-Tune in performance, calling it a safety net that guarantees a good performance.[29] However, other country music singers, such as Allison Moorer,[30]Garth Brooks,[31]Big & Rich, Trisha Yearwood, Vince Gill and Martina McBride, have refused to use Auto-Tune.[32]

Reception[edit]

Negative[edit]

At the 51st Grammy Awards in early , the band Death Cab for Cutie made an appearance wearing blue ribbons to protest against the use of Auto-Tune in the music industry.[33] Later that spring, Jay-Z titled the lead single of his album The Blueprint 3 as "D.O.A. (Death of Auto-Tune)". Jay-Z elaborated that he wrote the song under the personal belief that far too many people had jumped on the Auto-Tune bandwagon, and that the trend had become a gimmick.[34][35]Christina Aguilera appeared in public in Los Angeles on August 10, , wearing a T-shirt that read "Auto Tune is for Pussies". When later interviewed by Sirius/XM, however, she said that Auto-Tune could be used "in a creative way" and noted her song "Elastic Love" from Bionic uses it.[36]

Opponents of the plug-in have argued that Auto-Tune has a negative effect on society's perception and consumption of music. In , The Daily Telegraph music critic Neil McCormick called Auto-Tune a "particularly sinister invention that has been putting extra shine on pop vocals since the s" by taking "a poorly sung note and transpos[ing] it, placing it dead centre of where it was meant to be".[37]

In , Time magazine quoted an unnamed Grammy-winning recording engineer as saying, "Let's just say I've had Auto-Tune save vocals on everything from Britney Spears to Bollywood cast albums. And every singer now presumes that you'll just run their voice through the box." The same article expressed "hope that pop's fetish for uniform perfect pitch will fade", speculating that pop-music songs have become harder to differentiate from one another, as "track after track has perfect pitch."[38] According to Tom Lord-Alge, the device is used on nearly every record these days.[17]

In , the reality TV show The X Factor admitted to using Auto-Tune to improve the voices of contestants.[39] Also in , Time magazine included Auto-Tune in their list of "The 50 Worst Inventions".[40]

Neko Case in a interview with Pitchfork gave an example of how prevalent pitch correction is in the industry:

I'm not a perfect note hitter either but I'm not going to cover it up with Auto-Tune. Everybody uses it, too. I once asked a studio guy in Toronto, 'How many people don't use Auto-Tune?' and he said, 'You and Nelly Furtado are the only two people who've never used it in here.' Even though I'm not into Nelly Furtado, it kind of made me respect her. It's cool that she has some integrity.[41]

Used by stars from Snoop Dogg and Lil Wayne to Britney Spears and Cher, Auto-Tune has been widely criticized as indicative of an inability to sing on key.[20][42][43][44][45]Trey Parker used Auto-Tune on the South Park song "Gay Fish", and found that he had to sing off-key in order to sound distorted; he claimed, "You had to be a bad singer in order for that thing to actually sound the way it does. If you use it and you sing into it correctly, it doesn't do anything to your voice."[46]Electropop recording artist Ke$ha has been widely recognized as using excessive Auto-Tune in her songs, putting her vocal talent under scrutiny.[42][47][48][49][50] Music producer Rick Rubin wrote that "Right now, if you listen to pop, everything is in perfect pitch, perfect time and perfect tune. That's how ubiquitous Auto-Tune is."[51]Time journalist Josh Tyrangiel called Auto-Tune "Photoshop for the human voice".[51]

Big band singer Michael Bublé criticized Auto-Tune as making everyone sound the same – "like robots" – but admits to using it when he records pop-oriented music.[52]

Ellie Goulding and Ed Sheeran have called for honesty in live shows by joining the "Live Means Live" campaign. "Live Means Live" was launched by songwriter/composer David Mindel. When a band displays the "Live Means Live" logo, the audience knows, "there's no Auto-Tune, nothing that isn't per cent live" in the show, and there are no backing tracks.[53]

Positive[edit]

Despite its negative reputation, some critics have argued that Auto-Tune opens up new possibilities in pop music, especially in hip-hop and R&B. Instead of using it as a correction tool for poor vocals—its originally designed purpose—some musicians intentionally use the technology to mediate and augment their artistic expression. When French house duo Daft Punk was questioned about their use of Auto-Tune in their single "One More Time", Thomas Bangalter replied by saying, "A lot of people complain about musicians using Auto-Tune. It reminds me of the late '70s when musicians in France tried to ban the synthesizer What they didn't see was that you could use those tools in a new way instead of just for replacing the instruments that came before."[54]

T-Pain, the R&B singer and rapper who reintroduced the use of Auto-Tune as a vocal effect in pop music with his album Rappa Ternt Sanga in , said "My dad always told me that anyone's voice is just another instrument added to the music. There was a time when people had seven-minute songs and five minutes of them were just straight instrumental. I got a lot of influence from [the '60s era] and I thought I might as well just turn my voice into a saxophone."[55] Following in T-Pain's footsteps, Lil Wayne experimented with Auto-Tune between his albums Tha Carter II and Tha Carter III. At the time, he was heavily addicted to promethazine codeine, and some critics see Auto-Tune as a musical expression of Wayne's loneliness and depression.[56]Mark Anthony Neal wrote that Lil Wayne’s vocal uniqueness, his "slurs, blurs, bleeps and blushes of his vocals, index some variety of trauma."[57] And Kevin Driscoll asks, "Is Auto-Tune not the wah pedal of today's black pop? Before he transformed himself into T-Wayne on "Lollipop", Wayne's pop presence was limited to guest verses and unauthorized freestyles. In the same way that Miles equipped Hendrix to stay pop-relevant, Wayne's flirtation with the VST plugin du jour brought him updial from JAMN to KISS "[58]

Kanye West's s & Heartbreak was generally well received by critics, and it similarly used Auto-Tune to represent a fragmented soul, following his mother's death.[59] The album marks a departure from his previous album Graduation. Describing the album as a breakup album, Rolling Stone music critic Jody Rosen wrote, "Kanye can't really sing in the classic sense, but he's not trying to. T-Pain taught the world that Auto-Tune doesn't just sharpen flat notes: It's a painterly device for enhancing vocal expressiveness and upping the pathos&#; Kanye's digitized vocals are the sound of a man so stupefied by grief, he's become less than human."[60]

YouTuberConor Maynard who has received criticism for his use of Auto-Tune defended the audio processor in an interview on the Zach Sang Show in , stating: "It doesn't mean you can't sing&#; auto-tune can't make anyone who can't sing sound like they can sing&#; it just tightens it up ever so slightly because we're human and we are not perfect, whereas [Auto-Tune] is literally digitally perfect".[61][62]

Impact and parodies[edit]

The US TV comedy series Saturday Night Live parodied Auto-Tune using the fictional white rapper Blizzard Man, who sang in a sketch: "Robot voice, robot voice! All the kids love the robot voice!"[63][64]

Satirist "Weird Al" Yankovic poked fun at the overuse of Auto-Tune, while commenting that it seemed here to stay, in a YouTube video commented on by various publications such as Wired.[65]

Starting in , the use of Auto-Tune to create melodies from the audio in video newscasts was popularized by Brooklyn musician Michael Gregory, and later by the band the Gregory Brothers in their series Songify the News. The Gregory Brothers digitally manipulated recorded voices of politicians, news anchors, and political pundits to conform to a melody, making the figures appear to sing.[66][67] The group achieved mainstream success with their "Bed Intruder Song" video, which became the most-watched YouTube video of [68]

The Simpsons season 12 episode 14, "New Kids on the Blecch" satirizes the use of Auto-Tune.

In , during season 18 of the animated show South Park, the character Randy Marsh uses Auto-Tune software to make the singing voice of Lorde. In episode 3, "The Cissy", Randy shows his son Stan how he does it on his computer.[69]

See also[edit]

References[edit]

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  2. ^Preve, Francis. "Antares Kantos Audio Synthesizer (PC/Mac)." Keyboard 28, no. 10 (10, ): ,
  3. ^"Auto-Tune 8". Archived from the original on 7 August Retrieved 8 August
  4. ^"AUTO-TUNE". USPTO. Archived from the original on Retrieved
  5. ^ abUS patent , Harold A. Hildebrand, "Pitch detection and intonation correction apparatus and method", published , issued , assigned to Auburn Audio Technologies, Inc&#;
  6. ^ abReynolds, Simon (). "How Auto-Tune Revolutionized the Sound of Popular Music". mlbjerseyschina.us. Archived from the original on Retrieved
  7. ^Frazier-Neely, Cathryn. "The Independent Teacher—Live Vs. Recorded: Comparing Apples to Oranges to Get Fruit Salad." Journal of Singing – The Official Journal of the National Association of Teachers of Singing (): ProQuest. Web. 16 June
  8. ^"Antares product page". mlbjerseyschina.us. Archived from the original on Retrieved 2 May
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  12. ^Robair, Gino. "Waves of Innovation" Mix. Jun Music Index, EBSCOhost (accessed February 21, )
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  17. ^ abMilner, Greg (). Perfecting Sound Forever, p. Faber and Faber. Cited in Hodgson (), p.
  18. ^"Recording Cher's 'Believe'"Archived at the Wayback Machine
  19. ^Frere-Jones, Sasha (June 9, ). "The Gerbil's Revenge". The New Yorker. Condé Nast. Archived from the original on 6 September Retrieved 30 May
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  21. ^Reynolds, Simon (July ). "Walking on Thin Ice". The Wire. Archived from the original on 4 February Retrieved 17 March
  22. ^Farber, Jim (). "Singers do better with T-Pain reliefArchived at the Wayback Machine", New York DailyNews.
  23. ^"I Am T-Pain by Smule - Experience Social Music". mlbjerseyschina.us. Archived from the original on Retrieved 8 August
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  26. ^Shaheem, Reid (). "Kanye West's s & Heartbreak Album Preview: More Drums, More Singing, 'No Typical Hip-Hop Beats'". MTV. Archived from the original on Retrieved 2 November
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  28. ^Clayton, Jace (May ). "Pitch Perfect". Frieze. Archived from the original on Retrieved
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  30. ^Fitzmaurice, Larry (14 December ). "Great Moments In Auto-Tune History". Vulture. Archived from the original on 31 July Retrieved 31 July
  31. ^Markey, MaKayla (13 November ). "Garth Against the Machine". Country Music Project. Archived from the original on 31 July Retrieved 31 July
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  34. ^Reid, Shaheem (). "Jay-Z Premiers New Song, 'D.O.A.': 'Death Of Auto-Tune'". MTV. Archived from the original on 27 June Retrieved 21 June
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  39. ^"X Factor admits tweaking vocals". BBC News. 23 August Archived from the original on 25 September Retrieved 8 August
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  41. ^Ryan Dombal (). "Interview: Neko Case". Pitchfork Media. Archived from the original on 1 May Retrieved 15 September
  42. ^ abAnderson, Vicki (14 June ). "Those who can't sing use auto-tune". mlbjerseyschina.us. Archived from the original on 12 June Retrieved 23 October
  43. ^Williams, Andrew (22 March ). "Danny O'Donoghue: I hate Auto-Tune, it's for people who can't sing". Metro. Associated Newspapers Ltd. Archived from the original on 2 November Retrieved 23 October
  44. ^"Britney unplugged: Can Spears (actually) sing without 'Auto-Tune'?". MSN. Microsoft. Archived from the original on 28 December Retrieved 23 October
  45. ^"Auto-Tune (Documentary)". NOVA. PBS. Archived from the original on 29 October Retrieved 23 October
  46. ^"Trey Parker on Auto-Tuning". Archived from the original on 5 June Retrieved 15 January
  47. ^Reed, James (8 April ). "The pop star we love to hate". The Boston Globe. NY Times Co. Archived from the original on 11 December Retrieved 23 October
  48. ^Adickman, Erika Brooke (30 June ). "OMG! Ke$ha Admits To Using Auto-Tune". Idolator. Buzz Media. Archived from the original on 26 January Retrieved 23 October
  49. ^"I can sing without Auto-Tune- Kesha". BigPond. Telstra. Retrieved 23 October
  50. ^Bosker, Bianca (10 May ). "Ke$ha Claims Not To Use Autotune (VIDEO): Does She Or Doesn't She?". The Huffington Post. AOL. Archived from the original on 23 August Retrieved 23 October
  51. ^ abTyrangiel, Josh (5 February ). "Auto-Tune: Why Pop Music Sounds Perfect". Time. Archived from the original on 23 October Retrieved 23 October
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  53. ^Hardeman, Simon (12 December ). "Live (ish) at a venue near you: Are miming rock stars undermining the music experience?: The rock band that plays completely live, with no pre-recorded backing tracks or extended samples, is becoming rarer and rarer". mlbjerseyschina.us. Independent. Archived from the original on 5 October Retrieved 29 June
  54. ^Gill, Chris (). "ROBOPOP". Remix. Archived from the original on January 3, Retrieved
  55. ^Zachary Sniderman (). "T-Pain Talks Autotune, Apps and the Future of Music". mlbjerseyschina.us Archived from the original on Retrieved
  56. ^"Twitter / noz: @YoPendleton @newbornrodeo". mlbjerseyschina.us February 22, Archived from the original on December 16, Retrieved
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  58. ^"todo mundo&#;» Blog Archive&#;» Is that Lil Twane on the keytar?". mlbjerseyschina.us Archived from the original on Retrieved
  59. ^"s & Heartbreak Reviews". Metacritic. November 25, Archived from the original on December 15, Retrieved
  60. ^Rosen, Joden (11 December ). "s & Heartbreak". Rolling Stone. Archived from the original on March 25, Retrieved August 10,
  61. ^"Archived copy". Archived from the original on Retrieved CS1 maint: archived copy as title (link)
  62. ^mlbjerseyschina.us?v=QeORyL_ZAlI
  63. ^"Archived copy". Archived from the original on Retrieved CS1 maint: archived copy as title (link)
  64. ^"SNL Transcripts: Tim McGraw: 11/22/ Blizzard Man". mlbjerseyschina.us. Archived from the original on 2 July Retrieved 8 August
  65. ^Thill, Scott (16 November ). "Will Auto-Tune Die? Ask Know Your Meme and 'Weird Al'". Wired. Archived from the original on 9 March
  66. ^"Band's Parody Helps Keep Auto-Tune Alive". Archived October 24, , at the Wayback Machine, John D. Sutter, Time, September
  67. ^"Auto-Tune the News"Archived at the Wayback Machine, Claire Suddath, Time, April
  68. ^"Double rainbows, annoying oranges, and bed intruders: the year on YouTube"Archived at the Wayback Machine YouTube Blog, Dec
  69. ^Heggs, Melanie (February 21, ). "Sia Confirms Involvement In 'South Park' Lorde Parody, 'Chandelier' Singer Figured 'Royals' Artist Would 'Find It Funny'". Fashion & Style. Archived from the original on April 25,

External links[edit]

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ERA Voice Deepener, UI
ERA Voice Deepener, UI

 

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ERA Mouth De Clicker, UI
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ERA Voice Auto EQ, UI
ERA Voice Auto EQ, UI

 

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ERA De Breath, UI

 

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ERA Voice Leveler, UI
ERA Voice Leveler, UI

 

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ERA Reverb Remover, UI

 

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ERA De Esser, UI

 

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ERA De Clipper, UI

 

Plosive Remover

Suppress “spitting” b,p & t sounds and instantly improve your dialogue recordings. Sometimes it’s simply not possible to use a pop shield. That’s when distracting p-pops ruin your dialogue. Use the ERA Plosive Remover and get rid of those annoying plosives with minimal effort. Look at the plugin’s waveform and see what’s being removed. The ERA Plosive Remover is completely transparent - just set it and forget it.

Download audio or video examples to test the ERA plugins in your editor.
ERA Plosive Remover, UI
ERA Plosive Remover, UI

 

Audio Clean-Up Assistant

Save time by auto-detecting issues in your audio track. Load your track, and the Audio Cleanup Assistant will propose a repair and optimization starting point. Then finetune it as you require. To make things even quicker, with our assistant you do not need to juggle between multiple plugin windows and parameters.

The ERA Audio Clean-Up Assistant allows you to work smarter and faster. Access all ERA plugins from within the Assistant. Build and save your favorite repair chains for speed and consistency. Or just use our presets for rapid audio editing.

Download audio or video examples to test the ERA plugins in your editor.

ERA Audio Clean Up, UI
ERA Audio Clean Up, UI

 

ERA Bundle Pro

For those audio professionals who require more powerful audio tools, we offer an upgraded version of the ERA bundle. The ERA Bundle Pro features 15 powerful plugins to help you tackle all the audio issues you routinely face. Whether you work with video, film, podcasts, voice overs, broadcast, streaming or music production, the ERA plugins will help you get the job done in seconds.

Start free trial

 

Noise Remover Pro

Noise Remover Pro is a powerful yet intuitive tool for professionals. Based on the improved, multi-patented accusonus algorithms, Noise Remover Pro offers amazing results with no artifacts, without you having to hunt for noise profiles or tweak a ton of parameters. Enjoy the ease-of-use of our smart technology while maintaining the flexibility to dig in deeper and fix trickier recordings. In most cases, all you’ll have to do is simply tweak the large white dial! But Noise Remover Pro also allows for sophisticated multi-band processing. Carefully-curated presets are also available, so you can speed up your workflow even more! The ERA Bundle Pro comes with an even faster alternative solution for noise: our automatic, single-button Noise Remover. In case of emergency, clean up your audio with one button - everything else is under the hood.

ERA Noise Remover Pro, UI
ERA Noise Remover Pro, UI

 

Reverb Remover Pro

Reverb is one of the trickiest audio issues to tackle in post. But after years of extended research on room acoustics & psychoacoustics, the brand new Reverb Remover Pro is here to help you get exceptional results in record-time. The unique tuning and UX design of our Reverb Remover Pro will elevate your workflow. The large central knob will help you get the job done in seconds, but you can also dive in and fine-tune the settings for surgical precision when time permits. See and hear what’s being removed using the DIFF button. Use the smart presets to edit faster and dig into specific frequency regions for more accurate and granular results. The smart single-dial version of Reverb Remover Pro is also part of the ERA Bundle Pro. It will be your tool-of-choice for even faster editing.

ERA Reverb Remover Pro, UI
ERA Reverb Remover Pro, UI

 

De-Esser Pro

Getting rid of those noisy high-frequency consonants can be a tedious, time-consuming task. This is why we developed De-Esser Pro, a fast and powerful tool that requires minimum effort but offers transparent results. It offers precision-grade de-essing and customizable audio repair functionality. Based on the multi-patented accusonus algorithms, De-Esser Pro simply works and allows for efficient sibilance reduction from audio recordings. See the software automatically detecting the S’s in your waveform and fix the problem by turning the dial! ERA De-Esser Pro offers some extra controls for more in-depth processing and by far more natural sounding results. The ERA De-Esser is a single-dial alternative for even faster de-essing and is also included in the Pro Bundle.

ERA De-Esser Pro, UI
ERA De-Esser Pro, UI

 

Room Tone Match (Only available as an AudioSuite plug-in for Avid Pro Tools)

Awkward silenced parts & inconsistent room tones when editing dialogue can be very distracting. The ERA Room Tone Match identifies the background ambience under speech and helps you seamlessly “stitch” and even out different ambience beds. We might not always be able to “read the room” but our brand new Room Tone Match totally can! Re-create your sonic environment effortlessly and maintain the natural feel of your scene, without messing with tedious workarounds!

ERA Room Tone Match, UI
ERA Room Tone Match, UI

Jordy Vanderput

Filmmaker & Youtuber - mlbjerseyschina.us

"Great results without needing to spend much time tweaking."

TL;DR Filmmaker

Filmmaker & Youtuber

"They do a really good job out of the gate."

Drew B Darby

Filmmaker & Youtuber

"So convenient and really really high quality!"

Izak Jackson

Filmmaker & Youtuber

"These plugins can dramatically improve your audio production workflow."

 

Our pricing plan

Bill monthly

Bill annually

SAVE UP TO 64%

ERA Bundle Standard

The fastest plugins for high quality audio repair includes:

  • Noise Remover
  • Reverb Remover
  • Mouth De-Clicker
  • De-Breath
  • Voice AutoEQ
  • Voice Leveler
  • Voice Deepener
  • Audio CleanUp Assistant
  • De-Esser
  • Plosive Remover
  • De-Clipper

BUY NOW

START FREE TRIAL

ERA Bundle Pro

Plugins for fast audio repair & spectral restoration includes:

Everything in ERA Bundle Standard, plus

  • Noise Remover Pro
  • Reverb Remover Pro
  • DeEsser Pro
  • RoomTone Match

BUY NOW

START FREE TRIAL

All Access Suite

The fastest audio repair plugins & unlimited sound effects includes:

Everything in ERA Bundle PRO, plus

Voice Changer
  • Character
  • Effect
  • Environment
SFX Cellar Premium
  • Unlimited royalty-free sound effects
Music Cellar (Beta)
  • Background Music for your content

BUY NOW

START FREE TRIAL

 

Specifications

MAC OS

  • OS Versions: or later
  • M1 Compatible
  • Plugin Formats: AU, VST, AAX Native (bit)
  • Supported Video/Audio Editors: Learn more

WINDOWS

  • OS Versions: 10 or later
  • Plugin Formats: VST, AAX Native (bit)
  • Supported Video/Audio Editors: Learn more

 

Frequently Asked Questions

What is the ERA Bundle?

The ERA Bundle is a set of smart tools for audio optimization, repair, and enhancement. They are affordable, fast, & easy-to-use. Most importantly, however: they help you sound great! Get superb audio in record time, and stay in your flow. Turn a single dial, and everything else is handled under the hood. Why spend tons of time tweaking obscure algorithmic parameters? The ERA Bundle includes:
  • Optimization Plugins that improve any and every audio track
    • Voice Deepener
    • Voice AutoEQ
    • Voice Leveler
  • Repair Plugins for a multitude of audio issues
    • Noise Remover
    • De-Esser
    • Mouth De-Clicker
    • De-Breath
    • Plosive Remover
    • Reverb Remover
    • De-Clipper
  • The Audio CleanUp Assistant for managing and suggesting all of the above!
Read more

How do I install ERA Bundle?

Claim your ERA Bundle free trial. You’ll get the ERA installers, plus enough time to try out everything the Bundle has to offer. If you’re already an ERA subscriber, you can simply download the installers. Alternatively, anyone can download and install ERA. You will be prompted to begin a free trial or to log in with your subscription upon loading a plugin.

How do I install ERA Bundle 4?

If owned, all previous versions of the ERA Bundle are available from your accusonus account. View detailed instructions.

How do I install Accusonus ERA Bundle 5?

If owned, all previous versions of the ERA Bundle are available from your accusonus account. View detailed instructions.

Источник: [mlbjerseyschina.us]
Z
- Z float pitch level ( to +) ex. "3 How are you?" - start text to speech conversion with current selected narrator
"2

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Windows 10/11 (bit)

How to use Voicemod with other games & apps

We have prepared some tutorials to help you configure Voicemod with your favorite programs.

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Command X=4 ( set sound fx ), Y - () - selected effect (0:disable)
Command X=5 ( set sound volume ), Y - ()
Command X=6 ( enable VST effect ), Y - (string) - "disable", "configure", "VST name"
Command X=7 ( music control ), Y - 0:pause 1:resume
Examples:
"0 13 Y". X - numeric comand, Y-string/numeric value
Command X=0 ( start audio file ) , Y - is file location
Command X=1 ( start text to speech ), Y - text to be converted
Command X=2 ( enable/disable Clownfish ), Y - 0/1
Command X=3 ( set voice changer ), Y - () - selected voice (0:none)
Command Custom pitch 3

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